Series Overview
Focusing on designers such as Issey Miyake, Rei Kawakubo, and Yohji Yamamoto, this series examines how Japanese designers have been discussed, evaluated, and positioned within Paris as a field of cultural production, through the lens of sociology and cultural theory.
Introduction: Opening the Series
An alternative way of reading fashion.Read →
Part 1: Who Were the Japanese Designers Challenging Paris?
The structure of challenge through cultural capital and symbolic power.Read →
Part 2: “Japonisme” and the Allure of Japan
The historical relationship between Japonisme and fashion.Read →
Part 3: Foucault and the Gaze upon Japan
The politics of vision, power, and representation.Read →
Part 4: Kimono as Represented by Western Designers
Adaptation, quotation, and the boundaries of cross-cultural understanding.Read →
Part 5: Media and the Construction of “Japanese” Images
A discourse analysis of fashion journalism in the 1980s.Read →
Part 6: Discomfort with the Label “Japanese Designer"
Resistance to National Labels and the Assertion of Individual Creativity.Read →